"Six on Blue"
A faded number,
Yellow on blue -
Like age, so true.
--JW, September 21, 2209
The Blog of John Walford, British-born, but long resident in The United States. I am a retired art historian, an amateur photographer, and occasional writer, who writes here about art, photography, and the human condition--some of it attempted ekphratic poetry, responding to works of art. This is to be a site for words and images, interacting on one another, as vehicles of human expression.
Sunday, September 20, 2009
Wintercove uploaded this lovely, serene photograph to Flickr, September 18, 2009, see: http://www.flickr.com/photos/65687061@N00/3932080654/
The rhythms of this photograph possess an inexpressible poetry - at least, I cannot find the words, but perhaps something like this:
Puffy clouds drifting from left to right,
Deep shadows, and soft water
Likewise lead the eye.
All seems still.
But stillness truth
Disguises, even as
Jagged icebergs, shrunken,
Wonder which way to go,
But downward sink, to rejoin
That from whence they came.
Wafted by the breeze,
Lean against these forces,
Yet are subject to the same,
Once fresh, supple, ripe,
And green - now brown,
And aged by the summer sun,
Stiffer, dryer, like our old bones,
And our skin, wrinkled,
Lacking oil, they too decline.
-- JW, for Wintercove, Sept 20, 2009,
after a long hiatus. Glad to see you are
still there, watching, as God performs His
glorious dance, daily before your eyes.
Friday, September 18, 2009
Rural Italy, invaded by tourists, yet still
Keeping her ancient beauty.
A patchwork of fields, golden and green,
Secluded under the protection
Of unyielding, granite hills,
With wild boar lurking in the woodland.
Sunlight, warming the mellow stone,
Causing the ridges of the clay tiles,
Hosts for lichens, to glitter in the light,
Which beats down on my shoulders,
In the absent imagination. Oh! Italia,
Refuge of the sensitive soul.
---JW, for AndreasC, Spetember 18, 2009.
Wednesday, September 9, 2009
Nine o’ Nine: “Time is the Culprit” (Albert Einstein)
Nine o’ Nine, on Nine, Nine, o’ Nine – Oh Wow!
This, an auspicious time, on anyone’s dime!
What to make of life - existence in time?
How possibly can time more signify?
Ours, yours, his, hers, or mine?
Is time but a construct?
Reckoned on a dial?
Or, a mere friction
Derived from only
As time itself -
So lucidly transparent!
Yet, glass and time remain
Both cruelly enigmatic and still
Beyond best scrutiny. They reveal,
And yet, their enduring qualities hide.
One seemingly passable, transparent,
Yet impenetrable to touch, but not to light.
The other, invisible, intangible, yet palpable!
While reflecting on time, it runs through my fingers,
Like sand, slip-sliding to the constant rhythm of the sea.
--John Walford, a meditation on Semay Johnston’s ceramic piece,
“The Culprit” (after Albert Einstein’s “Time is the Culprit”)
at nine o’clock, in the evening, of 09/09/09,
and, with thanks to Lauren Anderson,
for timely inspiration.
Monday, September 7, 2009
How it captures our imaginations,
That little space up there,
Above the street, above our heads,
A place, private and public both.
From this floating little ledge,
The passing world, we can engage.
To passers by, we show our selves,
And then retreat to private realms.
We display, we hide, we hover,
Somewhere in between, seduction,
There, but not there, seen but secluded,
Engaging others on our own terms.
For those shut in, a small way out,
For those shut out, a small way in.
A threshold in the air, and yet,
A threshold none directly cross.
--JW, Labor Day, Sept 7, 2009,
a day for idling on a balcony.
Saturday, September 5, 2009
Whence Hope? (For David M.)
Curled up, fetal, in my warm bed,
Cars rumble by, headed somewhere.
Cruel awakening, sleep’s last defense,
My destination, yet undefined.
For what shall I leave this warmth?
Why enter the next day’s chill?
Who travels by my side, who smiles
Into my sad, lonely eyes? Who?
Who sustains on the inside?
Whence hope? Cruel fate that
Strips me of family and friends.
What motivation to do this or that?
Yes, I could do this, or that!
But why bother? Should I?
Why should I? Who says?
What end to toil and struggle?
None can reply, anguish to assuage,
Yet, One, of old did say, “I know
The plans I have for you,
To give you a future, and a hope.”
---- JW, for David, Sept 5, 2009.
Thursday, September 3, 2009
Two Nests - Two Dramas
Two little birds build with woven twigs;
Hornets galore chew wood into pulp.
Each to have a home, to call their own.
Why birds deserted, leaving one egg?
Why fly entered, never to escape?
What to learn from each one's drama?
--JW, Sept 3, 2009.
- ► 2012 (13)
- ► 2011 (35)
- ► 2010 (45)
- Flickr's Barry Lu 陸維陽, "Rusted 6"
- Flickr's Wintercove's "Kindred Spirits"
- Flickr's AndreasC's "Outside in the Distance"
- Time..... by Flickr's Tina Manthorpe
- The Culprit (Albert Einstein, Time is the Culprit)...
- Spanish Balconies, 2009 (with Deborah Walford Danb...
- Whence Hope? (Photo: Mercury in the Night Sky, 200...
- Seasonal Auguries IV, 2009
- ▼ September (8)
- ► 2008 (83)
- John Walford
- United States
- I am a British-born, retired art historian, who taught in the USA; I studied law, in England,1964-68; worked part-time in the art world, 1968-69; then studied art history at the Vrije Universiteit, Amsterdam, 1969-76; completed my Ph.D. diss. at the University of Cambridge, 1981; moved to the States in 1981, and have since written, or co-authored, other books. My wife, Maria, was born in Milan, Italy, where she worked as an interpreter, in business; she spent seven years in Switzerland, at the University of Lausanne, 1963-70. She came to Amsterdam in 1971, and we soon married. She is a wife, mother, literary critic, of Italian (and French) literature, and completed her Ph. D. diss. in 2002, at the University of Chicago, on Cesare Pavese and His Critics. We have three married children, and twelve grandchildren, all of whom we excessively adore! I welcome dialog about art, photography, human behavior, beliefs, and motivation from all comers, regardless of race, color, gender, orientation, values, or beliefs. This is to be a site for words and images, as vehicles of human expression, around topics of mutual interest.